Real Life in Star Trek, The City on the Edge of Forever
Disclaimer
This is a discussion of a non-âFree as in Freedomâ popular culture franchise property with references to a part of that franchise behind a paywall. My discussion and conclusions are free, but nothing about the discussion or conclusions implies any attack on the ownership of the properties. All the big names are trademarks of the owners and so forth and everything here should be well within the bounds of Fair Use.
PreviouslyâŠ
The project was outlined in this post, for those falling into this from somewhere else. In short, this is an attempt to use the details presented in Star Trek to assemble a view of what life looks like in the Federation.
This is neither recap nor review; those have both been done to death over fifty-plus years. It is a catalog of information we learn from each episode, though, so expect everything to be a potential âspoiler,â if thatâs an irrational fear you have.
Rather than list every post in the series here, you can easily find them all on the startrek tag page.
The City on the Edge of Forever
This is probably the fan-favorite episode, so I guess weâll just jump in.
MCCOY: Some heart flutter. Better risk a few drops of cordrazine.
KIRK: Tricky stuff. Are you sure you want to riskâ
MCCOY: You were about to make a medical comment, Jim?
KIRK: Who, me, Doctor?
Notice the return to the theme of Kirk knowing everybody elseâs jobs as well as they do. In this case, McCoy bristles at it, but he turns out to be right.
SPOCK: The hypo, Captain.
KIRK: It was set for cordrazine.
The injection system contains a selection of drugs. Granted, thatâs more of a technological artifact than an aspect of the cultureâŠexcept that it makes the device a reusable system to dispense drugs, which seems like it should raise sanitary concerns, absent some additional sterilization and valve technology.
Meanwhile, drugged-up McCoy is possibly the best fighter weâve seen on this show, able to disable the transporter chief without any trouble.
KIRK: Continue alert, decks four through eleven. The medical department knows as little as we do. In dosages approaching this, thereâs some record of wild paranoia.
SPOCK: Confirmed by the library record tapes, Captain. Subjects failed to recognize acquaintances, became hysterically convinced that they were in mortal danger, and were seeking escape at any cost. Extremely dangerous to himself or to anyone else who mightâ
This seems like exactly the sort of drug that you donât bring with your team on a long trip into space. I realize that it just saved Suluâs lifeâwell, maybe, since there are probably also easier ways to treat a heart flutterâbut this canât possibly be the first time something like this has happened and thereâs clearly no safeguard on the injection device, like a maximum possible dose, despite being able to dump out a variety of drugs.
SPOCK: And of considerable age. On the order of ten thousand centuries old.
For those of you moving zeroes around, thatâs one million years.
UHURA: Landing party to Enterprise. No sign of Doctor McCoy. Search progressing.
Having McCoy crouch behind a rock was too sneaky for the search party. Do they even want to find him�
GUARDIAN: As correct as possible for you. Your science knowledge is obviously primitive.
SPOCK: Really.
KIRK: Annoyed, Spock?
Spockâs toxic masculinity shines through, even while theyâre dealing with an altered timeline and a friend whoâs a danger to himself and others.
KIRK: Spock! If that is a doorway back through time, could we somehow take Bones back a day in time, thenâŠ
Apparently, âdonât change the time streamâ isnât a rule. Neither is âwatch the extremely paranoid person who is only briefly going to be unconscious.â
Captainâs log, no stardate. For us, time does not exist.
This would seem to indicate that the stardates are meant to be objective measurements and are possibly broadcast throughout the galaxy like a GPS signal is around Earth today.
Either that, or Kirk is just being snotty about everything.
KIRK: Iâve seen old photographs of this period. An economic upheaval had occurred.
SPOCK: It was called a Depression, circa 1930. Quite barbaric.
It sounds like future economies donât have the sorts of widespread problems that marked the Great Depression. Of course, they seem to face quite a few more plagues, famines, and other disasters than we tend to worry about.
KIRK: Well, Mister Spock, if we canât disguise you, weâll find some way of explaining you.
It seems like that issue should have come up before they jumped, no�
SPOCK: Theft, Captain?
KIRK: Well, weâll steal from the rich and give back to the poor later. I think Iâm going to like this century. Simple, easier to manage. Weâre not going to have any difficulty explainingâŠ
At least elements of the Robin Hood legend have persisted into Kirkâs time, given his loose adaptation of âsteal from the rich and give to the poor.â
However, notice how Kirk, a man with many interests and apparently few regrets in his life, yearns for a life in 1930, despite the Depression, primitive medical science, and two wars coming up that were so destructive that theyâre sufficiently important for everybody to be familiar with, even centuries later.
KIRK: My friend is obviously Chinese. I see youâve noticed the ears. Theyâre actually easy to explain.
SPOCK: Perhaps the unfortunate accident I had as a child.
KIRK: The unfortunate accident he had as a child. He caught his head in a mechanical rice picker. But fortunately, there was an American missionary living close by who was actually a skilled plastic surgeon in civilian life.
Thank goodness random acts of racism are rarely noticed, I guess.
KIRK: Couldnât you build some form of computer aid here?
SPOCK: In this zinc-plated vacuum-tubed culture?
This probably wouldnât have been common knowledge in 1967, but automated computing devices have existed since 1822, when Charles Babbage completed his first version of his difference engine. Thatâs probably not useful, here, since Spockâs goal is to read his recorded data.
Electrical computers (whether electromechanical or digital) wouldnât begin showing up until later in the 1930s, such as the Torpedo Data Computer, Z2, and the work by Tommy Flowers on creating electronic telephone switching networks. Alan Turingâs vision of a âuniversal computing machineâ (instead an array of single-purpose devices) also wouldnât appear until 1936.
Possibly a better approachâI donât know, maybe youâre reading this while stranded in 1930 and need a computerâmight be to ignore how computing developed historically and jump to transistors. There was a patent for a field-effect transistor (FET) in 1925. They wonât be commercially available for another twenty years, itâs possible to make transistors. If you have transistors, you can make logic gates. And if you have logic gates, you can build a computer . Writers in the 1960s would have no reason to know this, of course, but itâs not out of the question to do at home, assuming access to a kiln.
Of course, this assumes that the tricorders have an electrical output. If it uses some sort of quantum-level communication, thatâs a lot more difficult.
SPOCK: At what rate of payment? I need radio tubes and so forth. My hobby.
The use of radio tubes (vacuum tubes) confirms that the work is in processing electrical signals. But it also confirms that Spock understands how money works and the need to justify what he earns.
MAN: Not that sheâs a bad-looking broad, but if she really wanted to help out a fella in needâ
KIRK: Shut up. Shut up. I want to hear what she has to say.
SPOCK: Yes, of course, Captain.
Kirk interrupts a misogynist comment, here, and Spock (painfully predictably) dismisses Kirkâs progressive approach as having an ulterior motive.
KIRK: Development of atomic power is years away, and space flight years after that.
SPOCK: Speculation. Gifted insight.
Keelerâs speech is worth reviewing on its own merits, but more important is how Spock overlooks what should be extremely obvious, at least to the writers: Keeler could easily be a fan of science-fiction, where her imagined future was already common, though not routine.
Iâve mentioned in previous postsâMuddâs Women, most prominentlyâthat I reject the idea that the Star Trek franchise is necessarily utopian. Our characters are always striving for a better world, but they never really reach it. The fact that Keeler isnât seen with a Pulp magazine, Jules Verne, or even given a reference to a fake utopian author, the show seems to reject the idea, as well.
EDITH: Yes. Seven oâclock in the morning. Do you have a flop for the night?
KIRK: A what?
âŠ
KIRK: We have a flop.
SPOCK: We have a what, Captain?
If you were planning to argue that Kirk and Spock understood âmoneyâ because they speak English and the word isnât yet forgottenâŠthey donât understand the word âflopâ from context.
SPOCK: Captain, I must have some platinum. A small block would be sufficient, five or six pounds. By passing certain circuits through there to be used as a duodynetic field coreâŠ
To be clear, today, Spock would be asking for somewhere in the neighborhood of $75,000 worth of platinum; historical data seems hard to come by, but itâs worth pointing out that the first minimum wage is still eight years in Keelerâs future and was set at twenty-five cents per hour. Kirk and Spock are being paid substantially less than that (fifteen cents), so we can probably assume the equivalent would be the equivalent of four dollars and thirty-five cents per hour, today. Assuming the cited ten-hour days and no spending on other expenses (like housing and food), they have a chance of being able to afford their block of platinum in two years and a little more than four months.
A âduodynetic fieldâ appears to be original to the episode, with the dyne (a small unit of force) being a possible etymology. There is a company called Dynetics thatâs sometimes associated with NASA, but they wouldnât be founded for another five years after this episode aired, so this is more likely the source of their name than the other way around.
SPOCK: I am endeavoring, maâam, to construct a mnemonic memory circuit using stone knives and bearskins.
You rememberâat least I assume so, because it wasnât that long agoâthe discussion of what technology was available in 1930 that could be used to build a computer. Based on comments Spock made, it was clear that he was building an electromechanical computer. If his primary need is memoryâsomething that would make sense, if heâs mostly trying to dig through the high-speed historical video he recorded and tease apart the two timelinesâthen thereâs a technology that isnât much more sophisticated than âstone knives and bearskinsâ: Relays, an electromechanical gadget that can remember its state. If you look at the Wikipedia page, you can see that theyâre not even difficult to make, though they take more electricity to set and read than using tubes would.
SPOCK: Interesting. Where would you estimate we belong, Miss Keeler?
EDITH: You? At his side, as if youâve always been there and always will. And you? You belong in another place. I donât know where or how. Iâll figure it out eventually.
SPOCK: Iâll finish with the furnace.
EDITH: Captain. Even when he doesnât say it, he does.
There are different interpretations to how Keeler is describing their relationship, some good, some horrifying, so Iâll withhold judgment.
The song playing while Kirk and Keeler walk is Goodnight Sweetheart, written (in our world) in 1931 Britain and the Guy/Carmen Lombardo version was the number-one song on United States charts that year.
Presumably, they worked faster in Star Trekâs history.
If you can find copies of the episode distributed during the 1980s, you might hear original music, instead, where Paramountâs home video arm didnât want to license the song for the release.
EDITH: And you donât want to talk about it? Why? Did you do something wrong? Are you afraid of something? Whatever it is, let me help.
KIRK: Let me help. A hundred years or so from now, I believe, a famous novelist will write a classic using that theme. Heâll recommend those three words even over I love you.
EDITH: Centuries from now? Who is he? Where does he come from err, where will he come from?
KIRK: Silly question. Want to hear a silly answer?
EDITH: Yes.
KIRK: A planet circling that far left star in Orionâs belt. See?
That would be Alnitak, ζ Ori, over a thousand light years away. Somewhere around 2030, the âlet me helpâ novel hits the shelves.
KIRK: February 23rd, 1936. Six years from now. The President and Edith Keeler conferred for some time todayâŠ
This isnât quite within the goals of this series of posts, but itâs potentially worth noting that this universe had a moment where a relative nobody could become the leader of a pacifist movement and become powerful enough to sway the opinion of Franklin Roosevelt in his first term.
EDITH: Why? What is so funny about man reaching for the moon?
KIRK: How do you know?
EDITH: I just know, thatâs all. I feel it.
To reiterate the point on science-fiction, Kepler, Cyrano de Bergerac, and others show an interest in traveling to the Moon since the early 1600s. Verne and H.G. Wells would be widely known to Keelerâs contemporaries, as well.
MCCOY: Where? Where are we? Earth? The constellations seem right, but. Explain! Explain this trick.
I wasnât alive in the 1960s, but it seems like a stretch to imagine a random person being able to look at the night sky above the city and recognizing the constellations distinctly, so itâs possible that space travelers are more attuned to such things.
MCCOY: Biped. Small. Good cranial development. No doubt considerable human ancestry. Is that how youâre able to fake all of this? Very good. Modern museum perfection. Right down to the cement beams. Very, very good. Oh, Iâd give a lot to see the hospital. Probably needles and sutures. All the pain. They used to hand-cut and sew people like garments. Needles and sutures. Oh, the terrible pain!
This gives a sense of the range of creatures that are regularly encountered by Federation citizens, and also strongly suggests the kinds of advances in surgery and first aid that might have happened.
Thank goodness that the disintegrated homeless man or any of his descendants had absolutely no effect on history, though, I guess.
SPOCK: This is how history went after McCoy changed it. Here, in the late 1930s. A growing pacifist movement whose influence delayed the United Statesâ entry into the Second World War. While peace negotiations dragged on, Germany had time to complete its heavy-water experiments.
This is an odd choice of divergence. While the Nazis certainly drafted many scientists into a nuclear weapons program, the sabotage of their heavy water experiments doesnât seem to have significantly involved the United States.
Itâs possible that the intent is for the lack of United States involvement in the Normandy landings let the war drag on for a few more years until the facility could be relocated or secured, though.
KIRK: Germany. Fascism. Hitler. They won the Second World War.
Thank goodness weâre never going to need to see what the Federation would look like if it was run by fascists, right? We certainly wouldnât be covering such a thing during the first week of SeptemberâŠ
SPOCK: Because all this lets them develop the A-bomb first. Thereâs no mistake, Captain. Let me run it again. Edith Keeler. Founder of the peace movement.
KIRK: But she was right. Peace was the way.
SPOCK: She was right, but at the wrong time. With the A-bomb, and with their V2 rockets to carry them, Germany captured the world.
Itâs hard to imagine a version of a peace movement capable of convincing a secular government to lay down arms, abandon treaties, and (apparently) accept an invasion by people who are clearly not peaceful. Itâs less than two weeks since I wrote about the paradox of tolerance, and this is just a stronger version of that, when you scrub off the historical patina. Cultists are fine becoming martyrs as a large group, with early Christians being one of the examples people generally respect, but other organizations tend to realize that theyâre not solving a logic problem by choosing how to respond to the world.
SPOCK: Jim, Edith Keeler must die.
Itâs worth comparing this to the situation in Tomorrow Is Yesterday, where they were perfectly willing to take John Christopher into the future until they realized that they couldnât afford to remove him from history. There, they had concerns about whether the astronaut could retrain for a new career in the future, but the woman who has all but outlined the path to that futureâŠher, they need to kill.
EDITH: We can talk about that later. I have to go. My young man is taking me to a Clark Gable movie.
Itâs hard to imagine what movie this might be. Gable had bit parts in movies in the early- to mid-1920s, but wouldnât get into the main cast or a leading role until later in 1931.
I was hoping to find something thematically appropriate to the episode, but nothing looks worth pursuing.
MCCOY: Well, I know what a movie is, butâŠ
This seems like an odd enough line to warrant attention, because McCoy has no reason to think that he would recognize the name of an actor any more than a doctor today would recognize John Durang.
Blish Adaptation
In Star Trek 2, Blish indicates that he has tried to merge what he liked most about Harlan Ellisonâs original script and the version that aired. Like several other adaptations weâve seen, this one brushes off most of the first act, just taking for granted that McCoy drugged himself and beamed down. The Guardianâin case itâs of interest to anybody who doesnât have access to the bookâis an octagonal mirror.
Egypt waxed, waned, passed. Atlantis sank. Skin-clothed barbarians suddenly became Hellenes. Spock was getting it all into the tricorder.
Weâll just slip Atlantis into the list, I guess, and hope nobody notices.
Kirk felt a fearful sinking of his heart, remembering that episode when he and Spock and an archaic man named John Christopher had fought not to be noticed by the world of the 1970s.
My guess is that this brief flash of continuity is because the adaptation of Tomorrow Is Yesterday calls out John Christopher, the pseudonym of British author (and so Blishâs colleague) Sam Youd.
Spock said, bemused, âIs this the heritage my motherâs people brag about?â
âThis,â Kirk said with disgust, âis what it took us five hundred years to crawl up from.â
In Miri, that adaptation told us that five to six centuries ago involved the so-called Cold Peace, and refugees of that tragedy colonized the first extrasolar planet. Itâs hard to say, of course, but if these are both meant to be part of the same continuity, itâs possible that the Cold Peace was the result of the Eugenics Wars from Space Seed.
âYou might see if you can locate me a ring for my nose,â Spock said. âBut Captain, aside from the fact that this is theft, I do not believe we ought to change clothes out in the open. As I remember your history, old Earth was rather stuffy about such matters.â
Apart from the added racism of Spock suggesting a nose ring in what I assume is a reference to the South Asian nathori, Spock indicates that public nudity isnât a taboo in the future, despite the fact that we donât see it very often on the Enterprise.
âOf course,â she went on, âI know that every day is a fight to survive. Thatâs all you have time for. But Iâve no use for a man who uses free soup as an excuse to give up fighting. To survive at all, you need more than soup. You need to know that your life is worth living, no matter what.
âShadow and reality, my friends. Thatâs the secret of getting through these bad times. Know what is, and what only seems to be. Hunger is real, and so is cold. But sadness is not.
âAnd it is the sadness that will ruin youâthat will kill you. Sadness and hate. We all go to bed a little hungry every night, but it is possible to find peace in sleep, knowing you have lived another day, and hurt no one doing it.â
âBonner the Stochastic,â Spock whispered.
âHe wonât be born for more than two hundred years. Listen.â
Presumably, Stochasticism refers to some philosophy involving the universe being random, based on the name, and some sort of optimism in the face of it. If this Bonner person wonât be born for at least two hundred years, that puts his teachings in the late 2100s.
âCaptain, I must have some sponge platinum, about a kilogram. Or a block of the pure metal, perhaps ten grams, would be even better.â
While platinum sponge is a real form of the element, sponge metal in this context makes it likely that this was originally intended as a reference to Earl and Otto Binderâs Adam Link, a robot with an âiridium sponge brain.â
You might recognize the name Otto Binder as a prolific creator in science-fiction, fantasy, and superhero fiction.
Back to the story, Spock refers to Keelerâs peace movement as âWorld Peaceways.â The story is mostly identical until the end, though one significant change along the way is that Spock is more respectful of Keeler.
âJim,â Spock said.
The deadness did not lift, but a small thread of startlement crept through it. Kirk turned slowly.
âMr. Spock,â he said. âThatâs the first time youâve ever called me anything but Captain.â
âI had to reach you,â Spock said gently. âBut never mind the coordinates. Jim, on my world, the nights are very long. In the morning, there is the sound of silver birds against the sky. My people know there is always time enough for everything. Youâll come with me for a rest. Youâll feel comfortable there.â
Similar to the weird massage scene in Shore Leave, if you were looking for evidence that Kirk and Spock are in a romantic relationship of some sort, you at least have my (worthless) permission to interpret this offer of a romantic getaway as that.
Conclusions
What we got, this time through, was probably more historical than cultural, but we do get some hints of cultural artifacts, at least.
For example, stardates seem to require infrastructure to have meaning. Robin Hood is still a known legendary figure. Kirk and Spock are comfortable enough with money that itâs probably in use across the Federation, as weâve seen hinted at before. At least one planet in the Alnitak (ζ Ori) system is inhabited, possibly colonized by humans despite the distance, as far back as 2030, with a famous novelist from there. Itâs implied that most aliens arenât biped and are larger than humans. Itâs possible that concrete is no longer a typical construction material. Movies are still around, but people donât remember Clark Gable, which makes sense.
From the adaptation, we discover that Atlantis is a factual place. It took five hundred years to rebuild society after the twentieth century. There was a late-2100s philosophical movement known as the Stochastics, with âBonnerâ being famous.
The Good
Kirk, once again, is the standout among the crew, both in his medical knowledge and his refusing to tolerate misogyny in his presence.
The future economy sounds to have fewer disasters, to the point where a term like âeconomic depressionâ is almost mysterious to Kirk. Given how many episodes refer to colonies barely surviving, thatâs probably not a huge improvement, but itâs something.
McCoy doesnât have a great showing in this episode, but heâs able to recognize the night sky at a glance, despite the presence of the light pollution of a large city. He also quickly rules out possibilities by just looking at the homeless man he meets. Itâs possible that this is just a general cultural tradition and not specific to the doctor.
McCoy also strongly implies massive improvements in first aid and surgery, with no needles, sutures, or pain.
The Bad
McCoy shows some resentment towards Kirk for daring to have the aforementioned medical knowledge. Medicine seems to be represented in particularly strange ways, here, in terms of using a horrifyingly dangerous drugs for purposes that could probably be handled in more straightforward ways and in the implication that the equivalent of a needle is reused across many patients without any sterilization or even a safety precaution to prevent pouring a massive dose of a dangerous drug into somebody. They donât even realize that sending the one extraterrestrial into Earthâs past might present a problem.
Likewise, Spock is back as his competitive, self-entitled, sexist, war-mongering self. He even tries to undermine Kirk shutting down the misogynist with his theatrical âof courseâ butting in and is highly dismissive of Keelerâs vision, though the adaptation is softer on that last point. However, Spock also takes part in the racism in the adaptation.
Just like we have the return of Kirk as the crewâs polymath, we also have the return of the crew is terrible at their jobs, whether itâs in terms of the complete inability to find the doctor everybody on the ship must know, watch him after heâs been subdued, or McCoy himself griping about Kirkâs comment and then landing on his hypodermic device. Theyâre not even particularly concerned about changing the time-stream until they need to fix it for their ride home.
Strangely, Kirk romanticizes the 1930s, Great Depression and all, suggesting that burn-out might be common in their society, especially if someone as comfortable with his position and career as he is yearns for an âeasierâ life with primitive technology and impeding destruction.
And even though Kirk gets high marks on dealing with sexism, heâs all too comfortable exploiting racism to convince the police officer to ignore Spock.
The Weird
Paranoid-McCoy is easily able to evade multiple searches and knock people out with little difficulty or even effort. Previous episodes have tried to make Spockâs neck-pinch look impressive, but the doctor mostly just pokes the transporter chief in the back and he drops.
Keelerâs assessment that Spock belongs at Kirkâs side could mean any number of things, ranging from the two of them being a couple to Spock needing Kirkâs protection to survive in a human-dominated society. The adaptation leans far more heavily toward the relationship possibility, with Spock seemingly inviting Kirk on vacation.
Next
Next week, we close out the season with an invasion by the largest army novelty plastic vomit youâve (Iâm guessing) ever seen in Operation: Annihilate.
Credits: The header image is Delicate Arch by an anonymous photographer, released under the terms of the Creative Commons CC0 1.0 Public Domain Declaration, taken at Utahâs Arches National Park, specifically Delicate Arch, a likely inspiration for the Guardian.
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Tags: scifi startrek closereading